Museums by Dan Beachy-Quick

This morning, leaping into wakefulness after having been kicked like a dog. Sometimes I can only take so much. Speak the truth, even when your voice shakes — now where have I read that? It’s lodged somewhere in my mind, but it’s easier said than done when it’s eight against one. But to hear that I’ve been selfish. God. What I would give to be selfish. I’ve been sleeping on the floor for the past two years, been paying bills that are not mine, taking other people’s shit because I have to protect those that I love — I would like to know how that counts as selfish. I’ve never had a real birthday, and fuck, this is the only space and place where I can defend myself. A fucking blog. Where no one knows me and I post cryptic shit. Where I feel myself my control unraveling and I try hard to hold on to my sanity life by talking to myself. Where I rely on poetry to help me make sense of things. And I’m told I’m selfish. Honestly. I don’t know what to say to that. Slow to anger slow to anger slow to anger slow to anger. Dammit.

Museums
Dan Beachy-Quick

Must I, in this question I am asking, include myself
Asking it? Must I include my face—
My face that I cannot see—through which I speak
This question about my eyes, about the field
Of vision, in which my hands press down these letters
Unattached to my arms? The sunlight
Comes in the window and lights up my hands
As they work. The world is not being kind
But there is the sensation of kindness.
There is an appeal to a rule when we realize a term
Behaves uncomfortably. God falls down
Into grammar and says I am but the words are spoken
From a bush on fire. God is included in this grammar
Philosophy offers to the fly stuck in the bottle—
There it is on the table, walking in circles within the empty
Bottle, pausing only to rub its forelegs together,
In anticipation or prayer. I remember
Walking into the glass-walled museum and seeing myself
Reflected in the head and in the belly of the metal rabbit’s
Mirror-like skin. This was not long ago, this experience
Of the ancient world, reason simultaneous with appetite,
Watching myself think, seeing my eyes thinking,
My body a body that contained this thinking
That I write in the margins of the books I read, a script
That over time appears less legible, a form
Of cuneiform I cannot read myself what I wrote
In the margins. There is a fragment that floats in the air
Floating in my mind, spoken by a voice not mine:
To study circumcises the heart and calms,
The book steadies the heart [many words are missing
Or illegible
] if not, to turn away,
Fire courses through the veins [many words are
Missing or illegible
] then
Anger, anger. Leaning back in the tall grass,
Putting my book aside, my toe covers the sun.
I am imagining this world but I’m inviting you in
So I can join you. In the old language, the language
No one ever spoke, the language whose words
In the scholarly papers are marked by stars,
Asterisks that say this word exists by not existing,
The imaginary root pushing down from the sky
Into our heads, the root of the tongue;
In this language “I” meant “here,” it did not mean “me,”
It meant a location in which this body I am
Was not an expression of love but a word of
Presence. Here I am. Voice in a boundary.
In this place I am I once had a dream.
Cylindrical seals rolled across the earth
Printing in the mud the image of a woman braiding
Her hair was loose and then her hair was bound.
These roads end at the horizon where I also end,
Present in this world as the alphabet is present
In this poem. *I. *I. Sometimes *I like to stutter.
*I like to think the sky is blue. *I see sometimes it’s red.
More soon on the nature of impossible constructions.
The man in the moon. The sea rose. The living room.

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